Boston Celtics - Stack Loop
11/25/2016Play call from Boston Celtics HC Brad Stevens. See More
Favorite Send to FastDrawPlay call from Boston Celtics HC Brad Stevens. See More
Favorite Send to FastDrawPlay call from Charlotte Hornets HC Steve Clifford. See More
Favorite Send to FastDrawZipper stretch box set Can be used as a special entry to The Drag Offense.... See More
Favorite Send to FastDrawDuke ATO - DHO - WEAK SIDE HAMMER ACTION A great play from the Duke timeout utilizing the PG as your entry man at the elbow. 1 goes into a DHO with 3 out of the corner right into a ball screen by the 5 man moving across the FT line replacing 1 on the hand-off action. As 3 comes off the ball screen, 4 steps up to set the weak side Hammer Screen for 2 who drifts to the corner looking for a possible pass and shot attempt. Duke shows great shot clock management, as the primary option is not open, the ball gets reversed and thrown into the post. 2 Kennard makes a great read coming from the weak side corner, cutting to the FT line area making himself an option if the ball cannot be passed inside and showing the importance of moving without the ball. 1 & 2 exchange, ball gets kicked-out to 2 who cannot make a play. He throws the ball back inside, cuts into the lane for a possible give "n" go pass. 5 throws the ball out to 4 who dribble flips with 3 and sets a side ball screen. 2 Allen comes off the side ball screen action and gets a wide open jumper. A great look at how to utilize all options off a play and manage clock. See More
Favorite Send to FastDrawWith 37.2 seconds remaining in the 4th quarter with the score tied at 102, Brad Stevens ran this EOG Lift Pick & Roll action (4 or 5 man at the wing as opposed to the corner) against the New Orleans Pelicans. What makes this simple play work effectively is that Brad Stevens designed this action to get Isaiah Thomas attacking with his strong hand downhill. See More
Favorite Send to FastDrawPlay call from Boston Celtics HC Brad Stevens. See More
Favorite Send to FastDraw1 and 2 run Pistol Action - 5 sets flare screen for 2 5 sets rub for 2, 2 curls - filling out to the corner, 5 then sets side PnR for 1 See More
Favorite Send to FastDrawWing entry to 2, 1 shallow cuts, 4 fills and receives pass from 2, 4 swings to 1 On 1's catch 4 and 5 set Detroit Screen for 1... On 1's attack 3 sets hammer screen for 2 See More
Favorite Send to FastDraw1 gets into guard get with 2... Immediately after 1 receives ball back from 2, 5 sets step-up screen... 2 is spacing to 45, 4 is lifting to the elbow, 3 is spacing to deep corner. See More
Favorite Send to FastDrawBoston Celtics - I like this set a lot... Particulary how Bradley (2) dives to rim when Horford (5) pick and pops... Bradley's man ready to stunt Horford's pop. See More
Favorite Send to FastDrawAs I have added 5 Out Same - This is another entry the Boston Celtics use to get into their motion... See More
Favorite Send to FastDrawThe San Antonio Spurs ran this as their first play of their season opening game against the Golden State Warriors. 4 starts with a pindown screen for 2. 4 and 2 then set a staggered ball screen for 1 looking to make a play. See More
Favorite Send to FastDrawThe Golden State Warriors ran this during the second quarter of their season opening game against the San Antonio Spurs. They used a variation of the wedge play where a guard sets a high screen for a post player who then cuts into a ball screen or post up. In this version the Warriors used false action of the ball reversal and dribble handoff before getting into the wedge ball screen action. They also added a flare screen up top for a secondary option in this play. See More
Favorite Send to FastDrawPlaycall from CSKA Moscow HC Dimitrios Itoudis. See More
Favorite Send to FastDrawThe Houston Rockets ran this early in the second quarter of their preseason game against the New York Knicks. 5 screens away for 4 who receives the pass from 1. 1 receives the handoff from 4 then turns the corner on the screen from 5. 1 looks to create for himself or find the open man for a shot. See More
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