1 dribbles left sending 3 to loop around 5 at the elbow. 1 passes to 3. As 3 dribbles right. 2 cuts to the low post and 1 cuts across the floor off of a staggered screen from 5 and 4. If 1 isn't open, 2 cuts to the left wing off of a screen from 5. See More
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1 dribbles right pushing 3 into the lane to loop around 5 to replace 1. 1 passes to 3. 4 and 2 move down to the baseline as 3 is looping out to the perimeter. 3 dribbles right as 2 cuts along the baseline rubbing off of 4 at the low post. 3 looks to pass inside to 4. If the post-up isn't open, 2 cuts off of a double down-screen from 1 and 5 for a shot. See More
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1 dribbles to the left wing pushing 3 into the lane to loop around 5 at the high post. 1 passes to 3. 4 sets a screen for 3 at the top of the key. 3 drives right as 4 rolls and 5 replaces 4. See More
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1 dribbles to the right wing pushing 2 in towards the lane to loop around 4. 1 passes to 2 then cuts across the floor off of a staggered screen from 5 and 3. If 1 isn't open, 3 cuts to the right wing off of a second staggered screen from 5 and 4. See More
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1 dribbles to the left wing as 3 loops around 5 at the high post. 5 then turns to set a back-screen for 3. 3 cuts to the basket looking for the pass from 1. See More
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1 passes to 4 cutting out to the perimeter. After the pass, 1 moves to the corner and 4 passes to 3. 5 sets a back-screen for 4 who looks for the lob pass from 3. If the lob isn't open, 5 sets a ball-screen for 3. 3 drives into the lane looking to score, pass to 5 on the roll, or kick the ball out to 4 or 2. See More
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The point guard dribbles to the left wing pushing 3 in towards the elbow. 3 fakes cutting around 5 and instead pops out to the lane-line extended. 1 passes to 3 then cuts off of a triple staggered screen from 5, 4, and 2. 3 dribbles over to pass to 1 for a shot. See More
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This option is very similar to the Slice Reverse option that Boston ran, and is another counter to get Blake Griffin a post up. The added wrinkle in L.A. is the addition of a 1-5 Side P/R. See More
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While the Celtics best utilized the Slice series with KG as the trail big, the Clippers prefer to have Blake Griffin start on the block. The Clippers used this setup to get Blake catches at his left block sweet spot. If the post up is not there, the 2 and 3 can play out 2nd side action for additional options. See More
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Another set out of the Mike D’Antoni playbook, 4 Pop is designed for a shooting 4. While Blake Griffin has improved his midrange jumper each year, the main advantage of this set is putting Blake 1 on 1 against his usually slower defender at the top of the key. His driving ability makes this play an ideal Slice counter for the Clippers, and an option that the Celtics likely would not have been able to utilize with KG. A clear side P/R with Blake and CP3 is also a great 2nd option to have. See More
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Another version of the basic Slice set. The first look is still a post up, but this set has the added variation of a pin down for the 2 if no post up opportunity is available. See More
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This play comes straight from the Mike D’Antoni playbook, and sets up exactly like the basic Slice action that Doc Rivers used in Boston. While the option is there to bring any great post up player to the block, as D’Antoni often did with Carmelo Anthony in New York, this is really just a Spread High P/R in disguise. This is a money play for Chris Paul. See More
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The Slice formation allows the option to alter your alignment and bring any player off of the flex screen to a post up. In this Celtics set play for a KG post up, the play can start out of a normal Slice alignment, or a corner-filled “Weak” alignment. See More
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If you are lucky enough to have a great player like Paul Pierce on your roster, sometimes no tricks are necessary. A simple Iso play out of the Slice formation is all that you need. See More
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This is also a Celtics counter to Slice Roll. This time, instead of the 4 receiving a staggered rip screen, the 2 receives a stagger screen for a catch and shoot opportunity. See More
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